impeccable, although no amount of sonic makeover can remove the dread from Gimme Shelter or the raunch from Live With Me. The Stones have never done anything better." it hits from both sides, with no laughs, no innuendos and nothing held back. The cover for Let It Bleed was among the ten chosen by the Royal Mail for a set of “Classic Album Cover” postage stamps issued in January 2010.". The cake was made by then-unknown cookery writer Delia Smith!
The album cover shows a surreal sculpture designed by Robert Brownjohn. Even though I was living in America only part time, I was influenced. Wenner, in a 1995 Rolling Stone interview with Jagger, described the album’s songs as “disturbing” the scenery as “ugly” and asked Jagger if the Vietnam War played a role in the album’s worldview. The lyricism found on Let It Bleed is often noted for its violent and cynical undercurrents. Although “Honky Tonk Women” was released as a single that month, the album itself suffered numerous delays and was eventually released in December 1969, after the band’s US tour. Recording for Let It Bleed began in earnest in February 1969, recorded mainly at Olympic Studios in London and was originally scheduled for release in July 1969. Like Beggars Banquet the year before, the dominant influence was American roots music – drawing heavily from gospel (apparent in Gimmie Shelter and You Can’t Always Get What You Want), country music of Hank Williams and Jimmie Rodgers (Country Honk), Chicago blues (Midnight Rambler) and country rock on the title track.
Features three of the band’s greatest songs – Gimmie Shelter, Midnight Rambler & the anthemic You Can’t Always Get What You Wantīrian Jones performs on only two tracks: playing the autoharp on You Got the Silver, and percussion on Midnight Rambler – he was replaced by Mick Taylor during the recording, who plays guitar on two tracks – Country Honk and Live with Me, as well as on Honky Tonk Women (recorded during the Let It Bleed sessions).
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